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Hartford Symphony Orchestra Shifts Paradigm of Symphonic Music with “Intermix”

HSO Music Director, Carolyn Kuan

Thursdays are the new Fridays- haven’t you heard? HSO: Intermix is breaking the mold of orchestral music, offering a casual setting, cocktails, and a chance to be up close as Hartford Symphony Orchestra musicians perform innovative pieces by the world’s most sought-after composers. This season, we’re traveling around Greater Hartford to bring music to new audiences- and that starts with exciting venues.

On Thursday, November 8, we’re bringing HSO: Intermix to Upward Hartford, one of the most versatile locations in the area, with Appalachian Avalanche. Located at 20 Church Street on the Mezzanine Floor, Upward Hartford is revolutionizing the use of office space for young professionals in the downtown area. In an unexpected collaboration, they are teaming up with the Hartford Symphony to be a part of redefining the orchestral music experience. This relaxed event offers audience members a chance to experience classical and contemporary compositions while also sampling complimentary cocktails from Brockman’s Gin and mingling with friends. Where else can you enjoy a drink while also looking over the shoulder of a world-class percussionist? HSO: Intermix is truly working to shift the paradigm of live symphonic music.

Intermix at Onyx Moonshine

Adding to the flair of the unique venue, Appalachian Avalanche will also feature a refreshing programming combination. Missy Mazzoli, identified by The New York Times as, “one of the most consistently inventive, surprising composers now working in New York,” composed Still Life with Avalanche in 2008. Described by Mazzoli as a “pile of melodies collapsing in a chaotic free fall,” this piece highlights the juxtaposition between the calm and frenzy that are evident in day-to-day life. Contrast continues thematically throughout the program, with Copland’s Appalachian Spring Suite providing a classical twist to the otherwise contemporary programing. Accompanying this American classical staple will be a large-scale video display of the original choreography by Martha Graham.

Between a mix of musical styles and artistic mediums, an exciting location, hand-crafted cocktails, and a group of your friends; there’s no shortage of reasons to spend your Thursday night with the Hartford Symphony as they present HSO: Intermix’s Appalachian Avalanche!

Intermix at Real Art Ways

Tickets for the event are only $25, $20 for HSO subscribers, and student tickets are available for just $15 with a valid ID. Tickets can be purchased at the door, online at www.hartfordsymphony.org, or by phone at (860) 987-5900.

Amanda Savio is the Marketing and Public Relations Manager at Hartford Symphony Orchestra. Contact her at asavio@hartfordsymphony.org.

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Where Are They Now, Part 3: Southington Community Cultural Arts

There is a lot to be said about being at the right place at the right time, and that’s exactly where artist Mary DeCroce was in 2016. DeCroce, now Executive Director of Southington Community Cultural Arts (SoCCA), along with a core group of fellow artists and colleagues had just ended a $1.2 million capital campaign to open Southington’s first community arts center. They heard about the Arts Catalyst program, and immediately saw the potential in how the new center, staff, volunteers, and already growing student population could benefit.

Before 2016, the art center was more nebulous: There were 10 people total, including assistants, who met every Saturday morning at the local branch of The Arc, an advocacy and human services organization. They started the program with a grant from the Barnes Trust through the Main Street Community Foundation. As soon as they opened in the historic Gura Building at 93 Main St, their student number tripled in size. Now entering their third year, SoCCA is made up of four rented studio spaces, a gallery, retail shop, an administrative office, weaving room, pottery studio, and several classrooms.

“I recognized that Southington, with 43,000 people, did not have a place for the arts. There were just a couple places to exhibit, there wasn’t adequate teaching space,” recalled DeCroce of the local arts and culture landscape. “I was pleading as an artist, ‘let’s have a space’” She used every platform she could to advocate for an arts center. As a winner of the Unsung Hero award at the YMCA, she was invited to give a 10-minute speech and remembers emphasizing, “we have to make room for the arts here, we have to have this in our town.” The speech was short and sweet, but it was also passionate. It was in the following Spring, when the Town Council was voting to demolish the Gura Building, that Town Council member Dawn Miceli reached out to DeCroce, expressing her support for the cause.

“Helping provide a home for the arts in our community has truly been the most rewarding initiative that I’ve been involved with during my tenure on the Southington Town Council. But beyond our beautiful physical space, SoCCA has just been a wonderful impetus for bringing an awareness of both the visual and performing arts – and their inherent benefits – to our citizens,” said Miceli, who currently serves as a trustee emeritus on the SoCCA board.

The arts center wouldn’t be where it is today without the Arts Catalyst program, according to DeCroce. In preparation for the innovation goal workshop, she brought in a few board members to help take SoCCA to the next level. “We needed to know how to run an arts center. How do we make this a working arts center when none of us had done anything like this in our life?” The innovation goal workshop, where they had the opportunity to learn from other cohort leaders’ experience running their respective arts center, was just the beginning.

DeCroce and the board then worked with a Business Volunteer for the Arts, who also happened to be a native of Southington. Wendy Ronitz-Baker, Principal Coach at Practical Results Coaching, worked with DeCroce on “every single facet” of starting a business as an arts center. Together, they laid out what would become the responsibilities as Executive Director: Public Relations, Program Oversight, Grant Administration, Board Liaison, Human Resources Management, Event Coordination, Building Maintenance, and Cash Management. There are even more duties that fall under her watch for now, until they hire an Assistant Director. Ronitz-Baker helped immensely with details and logistics which helped DeCroce focus on strategy and big picture, which is where they’re headed next. Ronitz-Baker recently led the SoCCA board retreat, enabling her to see the fruits of her labor and how far the organization has come.

So, where is SoCCA now? They have a massive underground pottery studio that holds six classes a week (with a waiting list). They run their signature All-Access program with 70 weekly class visits for students with disabilities. They host exhibits, performances, and other events. Now, DeCroce’s goal is keeping SoCCA vibrant. “We are now recognized in this short amount of time as a resource,” she said. By connecting with the Department of Developmental Services, their students come as far as Thomaston, Torrington, Waterbury, and Watertown. DeCroce beamed as she gave an example of SoCCA’s impact. “There’s a wonderful energy of creativity. [Our students] are so supportive of each other; they are so fun to work with.”

“The dream of having a space for the arts for all abilities and ages is now a reality and we are working hard to keep it successful and vibrant.”

SoCCA’s impact has been felt on many levels – the personal, communal, and municipal. “As an elected official, I am also grateful for the economic stimulus that the arts have had in our community. SoCCA has been a destination location for Southington and is now critically weaved into the fabric of our town – similar in nature to the Southington Drive-In, Mount Southington and so many other community gems,” said Miceli. In addition to keeping the center vibrant, DeCroce is shifting her focus to sustainability. They’ve been participating in a series of capacity-building workshops at the Community Foundation of Greater New Britain, where she found out the center has been doing quite well considering its age. “We have grown rapidly in our first 2 years and are using every resource we have to keep the momentum of becoming one of the premier art centers in Connecticut. The dream of having a space for the arts for all abilities and ages is now a reality and we are working hard to keep it successful and vibrant.”

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Where Are They Now, Part 2: Windsor Art Center

How do you transform a volunteer-run community arts center founded in the Great Recession into a destination for visual and performing arts? That question is what the Windsor Art Center has been grappling with since its 2007 beginnings. The Windsor Art Center is the second of four organizations that completed the first cohort of the Arts Catalyst program in 2017, and it took very little time to reap the benefits.

Image: Mike Taylor

Their small but mighty marketing committee, including founding board member Holly Pelton, and current Vice President Neill Sachdev, entered the program with two main goals: Increase membership and increase revenue. Being all too aware that those goals are inherently connected, they knew that they needed a marketing plan in place to turn these goals into action. After their eye-opening experience at the innovation goal workshop, where they met with other program participants to take part in a S.C.O.T (Strengths, Challenges, Opportunities, Threats) analysis and brainstorm actionable goals, they were assigned a Business Volunteer for the Arts who helped them develop this marketing plan. Business Volunteer for the Arts is a national skills-based management consulting program that pairs business professionals with non-profit arts organizations to help with high-level projects. They quickly realized that this plan would become a pivotal moment in the development of the organization. The creation of the marketing plan led them to institute the center’s first Customer Relationship Management (CRM) system.

Image: Mike Taylor

“I’m confident, because of this grant, we’re going to make a difference that will be felt in the art center for at least a decade.”

“The thought was if anyone, from a volunteer to a board member, has the ability to add [information to] a centralized location where we can now understand who’s attending events, what they’re attending, what they’re spending money on, and keeping track of when their membership expires in a better way, we have the ability to remind them and share events they might be interested in,” said Sachdev. “It’s a completely new nucleus for the organization…I’m confident, because of this grant, we’re going to make a difference that will be felt in the art center for at least a decade.”

According to Pelton and Sachdev, the organization’s first decade saw endless events – exhibit openings, artist talks, lectures, and film nights – and they wanted to do even more, but fitting everything in while still making sure their volunteers had a healthy work/life balance was proving to be difficult. Ray Lamoureux, Marketing & Sponsorship Director for Taubman Properties, worked with the Windsor Art Center on sorting everything out. “There was a lot of good energy…but Ray did was help us take a step back, organize our thoughts, and put them in a way that made the most sense for what our organization was and where it was going,” added Sachdev. “Having a lot of great ideas is one thing, but being able to distill those ideas, being able to understand what you’re capable of doing and in what timeline – that’s what Ray helped us do.”

Image: Mike Taylor

It was working with Ray that began a significant chain of events. Sachdev commented on the fact that they are now instituting Quickbooks and the new CRM. “The ripple effect that will happen by having a more optimized website and a more efficient strategy with keeping track of members and funds, will enable us to grow both things.” Pelton added, “the fact that we were able to start the database is going to be the underlying fabric that will allow us to do these marketing ventures to continue to build awareness, as well as start to bring in more funding.” Since the art center is completely volunteer-run, Pelton and Sachdev believe, that with the right training, the volunteers will be able to use the database with ease, therefore freeing up time for leadership and Board committees to step away from the nitty-gritty and make more strategic moves. “It really will empower volunteers to feel like they’re making a bigger difference in the art center.”

Image: Mike Taylor

In addition to planning more and varied events, the art center has been actively engaging in their local community. They had not had many space rentals, but since receiving funding as part of the Arts Catalyst program, they have been able to offer the space for free to any nonprofit organization in Windsor. In addition, they’ve been collaborating with other organizations to put on events. “We just recently had a trivia night with the Windsor Library Association, and worked with a couple local businesses to get food and beer…everyone had a wonderful time, and now we’ve developed a relationship with another organization in town,” Sachdev recalls. “I think synergy between civic organizations is absolutely key right now.”

Image: Mike Taylor

The Windsor Art Center may only be starting its second decade, but it is at the center of local (and some national) history. Within just a few minutes radius you can visit several historical landmarks, parks, and restaurants. Given that this former freight house sits right next to the local Amtrak stop, the Windsor Art Center is well on its way to becoming a true destination.

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“Bernstein, Barber, and Brahms:” An Evening of Music History

Thursday, October 18, 7:30 p.m.
Mortensen Hall, Bushnell Center for the Performing Arts, Hartford

The Hartford Chorale opens its 2018-2019 season with a concert that promises to be an evening of rich music-making in a multi-faceted celebration of three genius composers, in the observance of some significant anniversaries, and as a recognition of several important historic observances. Called Bernstein, Barber, and Brahms, the musical fare includes a tribute to Leonard Bernstein at the 100th anniversary of his birth and within four days of the observance of his death in 1990. One of the greatest composers, pianists, and conductors, of the 20th century, Bernstein wrote his dynamic Mass: A Theater Piece for Singers, Players, and Dancers for the opening of the Kennedy Center in 1971.  The Chorale’s concert opens with a brief, unaccompanied excerpt, “Almighty Father,” which not only pays homage to Bernstein but serves as a choral invocation in anticipation of what lies ahead.

An American composer of equal renown is Samuel Barber, who, at the age of twenty-five, composed a string quartet whose second movement became, by the end of World War II, the most frequently performed concert work by an American composer throughout the world.  His “Adagio for Strings” is an elegy of profound solemnity, filled with raw emotion from start to finish. It seems that the intention of the piece is to make us cry! Performed often at times of national and international commemorations and memorials, the piece was also heard in the films Platoon, Elephant Man, and Lorenzo’s Oil.  Philanthropist George Soros once observed, “I cannot explain, but when I hear this music it reminds me there is a God.”

The Bernstein and Barber pieces set up mightily and perfectly the monumental German Requiem by Johannes Brahms, included in our concert not only for its unparalleled power as a stunning symphonic choral work but because it was first performed 150 years ago, representing another of the celebrations this concert heralds. The words of this requiem, unlike those of the more traditional Latin Masses, were selected by Brahms himself from his well-worn Lutheran Bible and are words of comfort, cheer, and jubilation. Famed conductor Robert Shaw observed, “Is there a piece in our repertoire which is so enlivening to sing? Rarely do music and text meet on the same high level, but in Brahms they do.”

On stage with the Chorale on October 18 are The Manchester High School Roundtable Singers and Alumni as they celebrate their 80th anniversary. Directed by Edward Tyler, the Singers are a highly regarded and distinguished high-school choral ensemble. Their collaboration with us is a fine example of the Chorale’s well-known engagements in education and outreach.

As always, the Chorale is honored to have on stage with us the Hartford Symphony Orchestra, one our most beloved performance partners. We are particularly thrilled to make use of Mortensen Hall’s magnificent Austin organ. Its powerful roar and gentle purr will provide the crowning touch to Brahms’ stunning masterpiece.

We know that this celebration of Bernstein, Barber, and Brahms will bring enrichment, excitement, inspiration, and joy to all.

Richard Coffey is Music Director of Hartford Chorale.

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Ballet Theatre Company Celebrates 20th Anniversary

In a city like Hartford, we’re lucky to have a wide variety of arts and cultural organizations that are diverse in many ways including age. It is because of this that it is such a privilege to share in celebration when one of these organizations reaches a milestone. Please join us in congratulating Ballet Theatre Company on their 20th Anniversary! Artistic Director Stephanie Dattellas came to Ballet Theatre Company last summer straight from Syracuse, where she had helped expand Syracuse City Ballet’s repertoire and mission as their Ballet Mistress and Company Manager.

“I am a strong believer that dance has the incredible power to unify one another, ignite hope, spark passion and encourage one to achieve a lofty goal.”

Since its founding in 1999, Ballet Theatre Company has staged over 75 ballet productions, trained nearly 1000 dancers and has served over 10,000 students in the Greater Hartford region who otherwise would not have had the opportunity. In addition to the tried-and-true Nutcracker and performances around the region including the Noah Webster House, New Britain Museum of American Art, and Aetna, Ballet Theatre Company will be holding “20 Masterclasses for 20 Years” in honor of their anniversary. These masters of dance join Ballet Theatre Company from American Ballet Theatre, Broadway, and other companies from around the country. In addition, Dattellas initiated a pilot program with the Miracle League of Greater Connecticut centered around adaptive dance with students ages 4-21, culminating in a performance after 8 weeks of sessions. “I am a strong believer that dance has the incredible power to unify one another, ignite hope, spark passion and encourage one to achieve a lofty goal,” Dattellas said of the program, which currently enrolls 44 students. “Through this program, children of all abilities will have the chance to discover their unique voice, and expand their creative boundaries. I cannot wait to watch each of their journeys through this incredible program!”

As part of her first season, Dattellas worked with several other local dance companies on a benefit performance to raise money for the families affected by last October’s mass shooting in Las Vegas. This year, the companies plan to raise money for childhood cancer research. “’Dancing for a Cause’ is a performance I am especially passionate about and excited to bring to BTC’s season annually. It gathers several diverse, professional and local dance companies in one space, for one night, utilizing their talents to benefit a charitable cause. I am so grateful that these other dance companies are so willing to donate their talents supporting a cause of our community.” Dancing for a Cause is a performance Ballet Theatre Company will present annually, benefiting a new charitable cause year to year.

There is clearly a lot to look forward with Ballet Theatre Company, and you can find more information about their 20th season on their website at www.dancebtc.org.

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Doors Not Walls: Leaving, Arriving, Rediscovering (US)

Judy Dworin Performance Project’s latest dance theater production is the twenty-nine-year-old Ensemble’s first site-specific piece, but more than that, it is the first work conceived in response to the human impact of contemporary politics of division.

Image: Joseph Abad

(US) brings the artist’s eye to examine the current and past realities of the American immigrant experience. Incorporating dance, multimedia visuals, and a layered sound score, the performance boldly confronts the hot button issues of 2018: nationalism vs. patriotism; barriers vs. welcome; racism vs. inclusion; privilege vs. justice; and fear vs. sanctuary. It shies from none of them, yet is never consumed by them, moving steadily forward in the direction of hope.

Image: Andy Hart

Apart from the challenging core material, what makes (US) special is its setting in the Hartford Public Library’s Downtown branch, long a center for new arrivals to gather and fulfill their need for information, community, and assimilation. The piece uses the Library’s architecture to amplify its message: the uncertainty of Arrival in the main lobby: the separation of Walls in the Atrium; and the reverence of Sanctuary in the CCC Room, with the words, “A Place Like No Other” part of the existing architecture on the wall above the stage. Audiences can look forward to literally walking alongside the dancers, who use their bodies and sole props – a collection of vintage suitcases – to become the setting and narrative for the story they are telling. Music and spoken word, including the voices of Hartford-area immigrants fill out the scene, along with digital projections that “capture” the Library’s many computer screens like the news stories and opinion blogs that dominate our digital life.

Image: Joseph Abad

While the premiere date for (US) was set more than a year ago, the timing now coincides with highly charged public debate and a climate of partisanship unlike any we have seen in living memory. (US) could become a part of that – but it doesn’t. It acknowledges the wall, #MeToo, #BlackLivesMatter, and #AbolishICE without being defined by any of them. It hearkens to a better place – a connection to a better universal condition that we have glimpsed but not yet achieved. There is solemnity in its sorrow, rather than retribution, and temper in its joy that leaves plain that we have a long way to go to achieve a more perfect union.

(US) premieres at Hartford Public Library on October 12-13, 2018. Tickets are $25, and are on sale now at www.judydworin.org. Judy Dworin Performance Project, Inc. is a Hartford-based arts non-profit  organization that uses dance, movement, and the performing and visual arts to work for social justice in schools, on stage, and in prisons.

Jennifer Eifrig is Grants & Communications Manager for Judy Dworin Performance Project, Inc. Contact her at jennifer@judydworin.org.

[featured image: Joseph Abad]

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Where Are They Now, Part 1: Farmington Valley Arts Center

Our promise is to use the arts to “improve lives and transform communities.” A few years ago, we created the Arts Catalyst program, which provides small arts and culture organizations resources that support growth and innovation. In the “Where Are They Now?” series, we’ll revisit each community arts center that completed the first Cohort of our Arts Catalyst program, where they worked with an organizational development consultant and a Business Volunteer for the Arts. The first post takes a look at how the Farmington Valley Arts Center found a way forward after the devastating recession in 2008 and what they’ve been able to do with the Arts Catalyst resources.

There’s nothing like a fresh start, and the Farmington Valley Arts Center has seen many changes since it started over 40 years ago. This former Ensign-Bickford fuse factory nestled in bucolic Avon is no stranger to transition. Started by a local clergyman in 1974, the Arts Center had been providing programs, classes, studio space, and a children’s summer camp until 2008 when the economy crashed. After closing for just one day, the Board of Directors had a chance to refocus. A new Board President was appointed to tackle the significant financial issues, and to put the FVAC back on the path to financial stability. Their “Rebuilding” phase included expanding their studio rentals, re-imagining their education program, relocating and refreshing their retail space, producing more exhibits, and adding  or revitalizing existing programs  such as an Artist-in-Residence  program, Art Parties and Art Hikes. They were also looking to take advantage of other funding opportunities, so they were excited to find out they had gotten in to the Arts Catalyst cohort in 2016.

As important as it is to start a project with this sort of breadth and depth with an open mind, it is completely normal to have some nerves and hesitancy, but Board member Linda Sorrell was ready to put all of the aforementioned ideas into action. “The innovation goal workshop really helped us crystallize things that we had been thinking about,” Sorrell said. “Going into the workshop, what became very apparent was that we had some really pretty good offerings and quite decent infrastructure in place. What we didn’t have was a way of marketing it.” Sorrell is referring to a strategic document that had been produced back in 2012, but a lot of the content had not been operationalized for various reasons. The innovation workshop guided Cohort 1 through an organizational analysis, vision development, and action planning exercises to help participants realize potential growth. Sorrell’s takeaway from the innovation goal workshop was the beginning of a marketing plan to operationalize their former strategic planning document.

“Working on innovation goals, it became clear that to do anything else, we had to get a particular message out there and start to address the audience, not only the audience we had at the moment, but to increase and diversify that audience pretty significantly.” Sorrell and the Board wished to grow the audience from a mostly homogenous group into different populations with varied interests. This is where the Business Volunteers for the Arts played a significant role. “[The] BVA partners were phenomenal…they understood social media in a way the FVAC board and volunteers did not…[they] put out surveys and collected a lot of data.” FVAC’s experience with the innovation goal workshop combined with findings generated by their BVA partners culminated in four distinct yet interwoven areas of potential growth: Visibility, Excitement, Community, and Sustainability.

Over the summer, the arts center hosted the first Funnybone Records showcase, an evening of music and poetry performed by artists associated with the West Hartford-based label of the same name. As part of their recently expanded clay program, they developed a series of “clay date nights” through Groupon that reached a new demographic and volume of people they hadn’t seen. “If we can get people back here once, we can get them a second and a third…we can start to understand what kinds of events will draw people in,” said Sorrell.

In conclusion, the Farmington Valley Arts Center participants had an overwhelmingly positive experience in the first Arts Catalyst cohort, and look forward to being able to produce more consistent offerings. Be on the lookout for our next “Where Are They Now” post, where we learn how the Windsor Art Center fared in their Cohort 1 experience!

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The Mark Twain House & Museum Writers Weekend

Writers Weekend, September 29-30,

The Mark Twain House & Museum

Author Samuel Clemens (Mark Twain) enjoyed lively discussions with great writers around his dining room table at his grand home in Hartford’s Nook Farm neighborhood.

So it is fitting that a Writers Weekend is scheduled September 29-30 at The Mark Twain House & Museum. Learn from great writers in the place where Twain created his iconic characters Tom Sawyer and Huckleberry Finn. Take advantage of discounted admission to Hartford’s premier brew fest, Tapping Into Twain, on Friday, September 28.

Writers and aspiring writers can attend workshops with humor author/columnist Gina Barreca, poet Bessy Reyna, and storyteller/author Matthew Dicks.  Travel writer Kim Knox Beckius, children’s author Dana Meachen Rau, and theater/music critic Frank Rizzo will share their insights.

Jacques Lamarre will present a playwrights’ panel, author Chris Knopf will talk about mystery writing, and author/columnist Susan Campbell will talk about the elements of writing a good story.

 

On Saturday night at 7, New York Times bestselling author Gary Shteyngart will discuss his new novel, Lake Success. On Sunday evening at 7, prolific and popular author Jodi Picoult will speak about her new book, Spark of Light. Those presentations are included in the weekend ticket, or can be purchased separately.

Registration for the Saturday and Sunday writing sessions begin at 9 a.m.

Information and registration: Writers Weekend, Gary Shteyngart, Jodi Picoult, and Tapping Into Twain.

Donna Larcen is Communications Specialist for The Mark Twain House & Museum.

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I Am An Artist Day 2018

I Am An Artist Day is back! Come down to Old State House Plaza on September 19, 2018 from 11:30am – 1:30pm to discover your inner artist through creative and interactive experiences with local arts organizations and artists!

Here is the full lineup of organizations you can visit with throughout the event:

Amistad Center
Using images from the Amistad Center for Art & Culture’s collection, participants will play “dress up,” create simple collages, and have their pictures taken with a Polaroid camera for a takeaway keepsake.

Ballet Theater Company
Put your dance knowledge to the test with Ballet Theater Company with two I Am An Artist Day challenges.
1. Name That Ballet: Can you match the plot of a famous ballet with its title? Stop by and play a matching game with us that tests your dance knowledge.
2. What’s In A Ballerina’s Dance Bag: Can you name all the things a ballerina needs in her dance bag? Try to name them all!

Caribbean American Dance Company
Judy Williams of the Caribbean American Dance Company will demonstrate traditional and modern Caribbean dance, followed by lessons and group dances.

Charter Oak Cultural Center
Community artist/educator Jocelyn Pleasant will use African percussion to showcase djembe and dundun rhythms of West Africa. She will share her music, demonstrate each of the different drums, and explain the history of African drumming.

Connecticut Landmarks
Participants will be invited to make a tissue paper flower to help promote the lovely and historic gardens on Connecticut Landmarks properties in Hartford and across the state. These creations will brighten your day by adding a burst of color to your hair, lapel, buttonhole, or desk!

Cuatro Puntos
Music Moves Hartford “Downtown Singers” will sing from 11:30-11:50. Lyric sheets will be available for audience members who would like to join them. Music Moves Hartford is a choir of downtown residents, many of whom have experienced homelessness.

Greater Hartford Arts Council
Passersby can participate in a Drip & Splat Community Painting that will be used as the backdrop for the upcoming TEDxHartford!

Harriet Beecher Stowe Center
Help create a 21st century alphabet booklet taking inspiration from the “Anti-Slavery Alphabet” published in the 19th century to educate children about the evils of slavery. Create your own artwork and poetry to demonstrate the significance of a current issue we face in the world.

Hartbeat Ensemble
Call and response hip-hop poetry with LAUGH the Poet, actor and teaching artist with the Hartbeat Ensemble. Fill in the blanks of LAUGH’s poem to create your own rhymes. Learn on-the-spot freestyling skills.

Hartford Stage
Step back in time to the 1980’s and celebrate the world premiere of Bess Wohl’s play Make Believe at Hartford Stage! Stop by our table to play dress-up, blow bubbles, color, enjoy some popular candy from the 1980’s, and spin our wheel to land on a popular – yet now very outdated – ’80’s catchphrase!

Hill-Stead Museum
Guests can pick and choose from a variety of words from the poem “View of Cap d’Antibes” to make their own using a set format or make a free-form poem. Arrange them how you like on the felt board and take a selfie with your piece!

My Own Monet: Make a mono-print (a one-time unique print that artists like Degas experimented with) based on Monet’s Haystacks series. Use a plexiglass print plate as your canvas, paint based off the model or make your own masterpiece, then lay your paper and peel up to get your unique artwork.

Journey Writers, Inc.
Words are important. Just a few words can tell us so much. Create your own story using only six words.

Judy Dworin Performance Project
An interactive storysharing opportunity with the Judy Dworin Performance Project. In connection to JDPP’s upcoming production, (US), you can share stories about your dreams for the world.

New Britain Museum of American Art
Visitors will have the opportunity to learn about the magic of color mixing as they create their own individual color field paintings, learning brush techniques and classic color theory while exploring the endless possibilities of color mixing.

Noah Webster House
All word nerds are invited to channel their linguistic excellence in an epic Scrabble challenge. Play on the giant Scrabble board and compete to create the most exceptional word of the day!

Queen Ann Nzinga Center
Make your own maracas, learn the history of the instrument and take them with you to keep your music-making alive. Join the drum circle to accompany the drummers with your new instrument!

Poetry on the Streets
Poetry on the Streets is an interactive exhibit designed to engage pedestrians in writing and painting an original poem based on a word chosen from a “jar of emotions.”

Theaterworks
Design your own “gingerbread” version of TheaterWorks. What do you look like inside TheaterWorks?

If that wasn’t enough, there will also be live music by guitarist Jason LaPierre at 1:00pm!

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‘Music Moves Hartford’ Hits the Streets in Song

Music Moves Hartford, led by Music Director Dianne Rechel

Hartford is home to a variety of organizations serving communities in need, and places of worship like Christ Church Cathedral is no exception. Not only is it the home of the MANNA/Hands On Hartford’s soup kitchen, but it also serves as the residency of Cuatro Puntos, a non-profit organization dedicated to intercultural dialogue and universal access through the performance, writing, and teaching of music. In addition to performing classical and contemporary pieces throughout the state, the Cuatro Puntos Chamber Ensemble frequently works with other organizations, such as last year’s collaboration with American School for the Deaf, celebrating 200 years of American Sign Language.

While the ensemble performs in the ground-level chapel, a new musical group has been taking shape in the soup kitchen downstairs. Every Wednesday before food is served, anyone and everyone are welcomed to a multi-purpose room equipped with couches and a piano. This musical group, named “Music Moves Hartford,” was formed primarily for those in our community experiencing homelessness and food insecurity. The group began rehearsing in April after Cuatro Puntos was looking for more ways to fulfill their mission. “[It is] important to use music for means greater than itself,” executive director Kevin Bishop said. “Forming a choir helps build a sense of community, purpose, and joy. Now, people have opened up and they’re coming up with their own ideas.”

David MacBride introduces his idea for their new collaboration

Music Moves Hartford was modeled after the Dallas Street Choir, and it’s the only ensemble of its kind in the state. Music Director Dianne Rechel starts rehearsals with breathing exercises and vocal warm-ups before quickly launching into a repertoire consisting of mostly American Songbook classics. They’ll be working with guest composer and Hartt School of Music faculty member David MacBride on an original song that they’ll also perform in a music video. Over the coming weeks, MacBride will be taking contributions from the choir and setting them to an original melody. According to MacBride, these contributions can range from single words to full paragraphs, certain sounds, even favorite genres of music. The central theme of the piece will be the idea of “home” and celebrating Greater Hartford. This theme could not be more relevant for the choir, considering how transient its population can be. Their first performance will be at a memorial service for a fellow choir member who sadly passed away, and had been singing with the group since the beginning.

The goal of Music Moves Hartford is to allow choir members to express themselves, resulting in a feeling of accomplishment. Their weekly informal performance for the soup kitchen also helps recruit members, and now a second group meets at South Park Inn every Tuesday evening. Bishop hopes to eventually bring the two groups together for a special performance. In the meantime, the downtown choir’s first big performances are scheduled for November 2nd at Christ Church Cathedral, where they’ll be performing MacBride’s composition. You can also check them at I Am An Artist Day at Old State House Plaza on September 12 from 11:30-1:30pm!

Picture courtesy of Cuatro Puntos

For more information on Music Moves Hartford and Cuatro Puntos and to find out how you can help, please visit their website at www.cuatropuntos.org.

Supporting organizations like Cuatro Puntos is part of our mission to improve lives and transform communities through the arts. Your support for the Greater Hartford Arts Council helps us make it possible.

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